{"id":1271,"date":"2025-05-02T19:43:12","date_gmt":"2025-05-02T17:43:12","guid":{"rendered":"https:\/\/laurentodelain.com\/?page_id=1271"},"modified":"2025-05-02T19:43:12","modified_gmt":"2025-05-02T17:43:12","slug":"les-jaloneuses","status":"publish","type":"page","link":"https:\/\/laurentodelain.com\/index.php\/les-jaloneuses\/","title":{"rendered":"LES SEPT JALONNEUSES"},"content":{"rendered":"\n
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LES SEPT JALONNEUSES \u00b7 seven milestone setter<\/em>s
2024<\/p>\n\n\n\n

10\u00e8me Biennale d\u2019art sur le Sentier des Passeurs organis\u00e9e par H\u00e9licoop
for\u00eat du val de Senones, Quieux, Le Saulcy, Vosges, France, \u00e9t\u00e9 2024<\/p>\n\n\n\n

10th biennal of art in nature : le Sentier des Passeurs organised by H\u00e9licoop
val de Senones forest, Quieux, Le Saulcy, Vosges, France, summer 2024<\/p>\n\n\n\n

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dispositif dynamique, formes nomades et \u00e9volutives
dimensions variables – p\u00e2te de carton (cellulose, eau, farine, gouache, curcuma)
bois, gr\u00e8s, gomme laque, autres mat\u00e9riaux biod\u00e9gradables<\/p>\n<\/div>\n\n\n\n

dynamic device, nomadic and evolving forms
variable dimensions – cardboard paste (cellulose, water, flour, gouache, turmeric)
wood, stoneware, shellac, other biodegradable materials<\/p>\n\n\n\n

pr\u00e9sentation<\/summary>\n

Mues par les visiteurs avertis ou surpris, les sept jalonneuses proposent des gestes d\u2019activation et des emplois divers, jouant de leurs contraintes et de celles des corps qui s\u2019en saisissent. Aussi, elles reviennent \u00e0 la for\u00eat par d\u00e9composition naturelle, d\u00e9voilant leurs chairs fragiles, se d\u00e9formant, modifiant leurs charpentes, int\u00e9grant doucement le terrain qu\u2019elles agitent, proies heureuses du sol, de la flore, de la faune et du climat.<\/p>\n\n\n\n

Moved by informed or surprised visitors, les sept jalonneuses (seven milestone setters) can be activated and used in many ways, playing with their own constraints and those of the bodies that hold them. They also return to the forest through natural decomposition, revealing their fragile flesh, deforming and modifying their framework, gently integrating into the terrain they disturb, happy prey for soil, flora, fauna and climate.<\/p>\n\n\n\n

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Chacune d’elles porte un caillou de gr\u00e8s, glan\u00e9 dans le ruisseau qui borde le sentier lors des rep\u00e9rages pr\u00e9c\u00e9dant leur construction. In fine, seule cette petite pierre restera comme trace anonyme, jalon toujours pr\u00e9sent \u2013 parmi tant d\u2019autres \u2013 de ces transports improvistes.<\/p>\n<\/div>\n<\/div>\n\n\n\n

Each of them carries a sandstone pebble, collected from the stream that runs alongside the path during the reconnaissance that preceded their construction. In the end, only this small stone will remain as an anonymous trace, an ever-present milestone among so many others of this improvised transport.<\/p>\n\n\n\n

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…<\/p>\n\n\n\n

Pour la 10\u00e8me \u00e9dition de la Biennale (2024), Laurent Odelain a propos\u00e9 des formes-mouvements qui revendiquent leur capacit\u00e9 d\u2019agir sur nos corps de promeneuses et promeneurs, \u00e0 travers des gestes improvis\u00e9s : exp\u00e9riences visuelles augment\u00e9es d\u2019approches tactiles, jusqu\u2019\u00e0 des chor\u00e9graphies spontan\u00e9ment invent\u00e9es par chacune et chacun. Nous marchons, elles sont des formes qui bougent. On ignore d\u2019o\u00f9 elles viennent, l\u00e0 o\u00f9 elles vont ou ce qui en jaillira : elles sont des devenirs. Les Sept Jalonneuses sur le Sentier des Passeurs ont (eu) une identit\u00e9 singuli\u00e8re que marque leur titre : le Baladin, la Toupie, l\u2019Andouille, le Jaguar, le Chameau, la Bombe, le Trident.
\u0152uvres cr\u00e9\u00e9es pour le site, le dialogue des Jalonneuses avec les formes de la for\u00eat a \u00e9t\u00e9 intensifi\u00e9 d\u2019une mani\u00e8re particuli\u00e8rement originale par la dynamique des mouvements qu\u2019elles proposent aux humains\u2026 et aux non-humains.<\/p>\n\n\n\n

For the 10th edition of the Biennial (2024), Laurent Odelain has proposed forms-movements that assert their ability to act on our bodies as walkers, through improvised gestures: visual experiences augmented by tactile approaches, right through to choreographies spontaneously invented by each and every one of us. We walk, they are shapes that move. We don’t know where they come from, where they’re going or what will come of them: they’re becomings. The seven \u2018Jalonneuses\u2019 on the Sentier des Passeurs have (had) a singular identity marked by their titles: the Baladin, the Toupie, the Andouille, the Jaguar, the Chameau, the Bombe, the Trident.
Created for the site, the dialogue between the Jalonneuses and the shapes of the forest has been intensified in a particularly original way by the dynamic movements they propose to humans\u2026 and non-humans.<\/p>\n\n\n\n

Jean-Fran\u00e7ois Gavoty – H\u00e9licoop – 2024<\/p>\n<\/details>\n\n\n\n

le chameau (the camel)<\/summary>\n
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le baladin (the strolling player)<\/summary>\n
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la toupie (the spinning top)<\/summary>\n
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la bombe<\/summary>\n
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le jaguar<\/summary>\n
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le trident<\/summary>\n
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l’andouille (the silly)<\/summary>\n
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reportage inauguration Sentier des Passeurs 2024 (Vosges TV)<\/summary>\n
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